The world of audiophiles and lyric lovers mourned greatly on November 7, 2016, the day Leonard Cohen died. Leaving behind a legacy of songs known and loved by millions, Cohen left a gap in the world of beauty with his passing. Out of a desire to emulate the gift that he was and share it with her community, Anita Courtney felt a strong pull to put on a tribute show for Cohen.
She did. It was a huge success. And now, she’s preparing for an April 28th redux. More on that in a moment.
“Well, he was ready to go, and he left us so much,” Courtney recalls saying to her daughters when they told her the sad news back in November, ’16. Her first thought was to organize a tribute. The idea was shared with others, namely Lynn Motley, Diane Arnson Svarlien and Marlon Hurst, and together they planned the first Leonard Cohen tribute. On November 11th of last year, the concert took place at Good Shepherd Episcopal Church as part of the First Presbyterian Church Music for Mission series.
“It went beyond our vision…” Courtney states about the first sell-out tribute show. Choosing a variety of musical styles that would emulate Cohen’s catalog with creative diversity, the lineup of local talent was a broad representation of some of the area’s finest musicians. Twelve acts performed that night, each performing one or two songs from Cohen’s lifelong supply of songs and poetry.
Beyond a program that featured everything from a psychedelic/blues rendition of “You Want it Darker” performed by Doc Feldman and Art Shechet, to a jazzy, seductive version of “Everybody Knows” by Paper Moon Jazz Trio, the greatest beauty of that night was the creative variety the artists put into their songs. The evening ended with a rousing sing-along to Cohen’s most mainstream song “Hallelujah” with artists taking turns with verses. The entire crowd joined in, and Cohen’s words rose to the heavens from that church.
Carlotta Abbott was a member of that first crowd. “I had no idea we had this kind of talent in Lexington,” she kept whispering to her friend between each set. “Each performer, I was covered in goosebumps, it just went on and on throughout the evening.”
Thrilled by the talent that stood before her all night long, Abbott was one of the folks who helped encourage Courtney to have an encore. The talent was spectacular, but the feeling of community and coming together was something she took away from the evening. “The group sing-along, it was a coming together, a unifying experience, it felt wonderful…”
When the evening was complete, Anita Courtney rested on her laurels and knew that beauty could never be recreated. The night was a total success. Mission beautifully accomplished. But…the phone kept ringing. The emails kept coming. People were insisting that it be done again. “People were using words like ‘I was devastated I couldn’t get in’ or ‘I was heartbroken I missed it’.” The demands were sending a clear message: this tribute had to be done again.
So, Halleluja! Leonard Cohen Tribute Encore is coming!
Sponsored by UnderMain, the 7 pm, April 28th concert is being staged this time at The Lyric Theater. With only a few exceptions due to schedule conflicts, the artists of the original performance will return. This time with more space available, the $15.00 tickets will guarantee a great seat in a historic theater that offers amazing acoustics, and Cohen will be praised once more.
“The Lyric has heft and history, and a solidarity with the themes Cohen sings about. The Lyric has soul, and Cohen has soul,” Marilyn Robie commented, one of the performers that night who will be singing “Dance Me to the End of Love” and “The Land of Plenty” with her group Navi’im.
For those of us who are avid disciples of Cohen’s music and poetry, his words will resonate in a timeless manner, and we are grateful to be able to gather together to celebrate his diverse collection. Many people relate to Cohen’s “pan-spiritualism” and his lifelong struggle to find the truth, despite religious boundaries.
“…he sought truth, his songwritings were investigations. When he found something that was true he polished it to be able to say it well,” says Courtney. Quoting Cohen she added, “When you’re moved by someone’s music it means they were unable to hide themselves.”
Leonard Cohen didn’t hide from his fans and colleagues. He gave all of himself, as a sellout crowd at Louisville’s Palace Theater discovered when on the very doorstep of his 80th year, Cohen gave them not one, not two, not three, but four very generous encores.
This creative generosity can be heard in his last album “You Want it Darker,” released October, 16, 3 weeks before his death. This truth is what calls so many musicians to want to emulate Cohen, to give him homage for mastering the craft. All who will take the stage on the 28th for the second time are grateful for the opportunity. And those who filled the seats will do so again – joined, it is hoped, by the many who regret missing the original tribute concert, all happy for that chance to experience community around the poetry and music of the great Leonard Cohen.
To purchase tickets, please visit lexingtonlyric.tix.com